RHS Botanical Art and Photography Show 2026 (1) PHOTOGRAPHY
Using this blog as a research sketchbook, here are some photos I took from the RHS Botanical Art and Photography Show 2026. My favourite work was Louise Sayers's. I was also touched by the words of some artists as they echoed with my own experiences and feelings from working with plants. I found Denise Bernon's work very Victorian in a macabre and dry scientific way. Corine Whitehouse's reminded me of my own interest for glasshouses, even though I am more interested in the artificiality and somehow in the selfishness of wanting to keep plants that without heating and watering wouldn't survive in our climate.
EMILIJA PETRAUSKIENĖ
Tulipa 'Libretto Parrot' 2025 Wet plate collodion negative, Gelatin silver print, Selenium toned
Chrysanthemum 'Lava' #8399 2025 Archival Pigment Print
"These intimate portraits highlight the beauty of fleeting moments in the life of plants. The final stages in a cycle before the plants fade from view and return to the earth with quiet grace and a promise of renewal. From season to season, gardens evolve as the plants grow, flourish and set seed for the future. Spending time with plants, recording both their beauty and their energy, confirms they are deserving of this careful observation and inspection, showing the constant flux and transformation of nature in the garden. The constant transformation, highlighted in these portraits, is something to be celebrated."
"My portfolio is a photographic study of dried flowers and leaves gathered from my garden and the surrounding countryside throughout the year.
Each botanical element has been preserved beyond its natural life cycle and arranged into six compositions that suggest continued movement, structure and harmony. Together they form a garden that lives in memory.
Throughout the seasons, I gathered plants and placed them in a flower press. I selected plants that might naturally grow together and arranged them to evoke the gentle rhythms of growth found in the wild."
"I have lived in the remote hills of the Cévennes for nearly twenty years, in a landscape shaped by chestnut forests, rugged gorges and valleys of olive and gorse. I have developed a daily practice of observing and photographing my garden, a space that has evolved slowly and organically, blending into the surrounding hills, where wildflowers, fungi, insects, weeds and planted species coexist in a shifting, living tapestry. The undulating hills encourage an outward gaze, while the tactile presence of grasses and the whispers of leaves and flowers invite introspection and reflection."










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